Ralph Shaw, our Illustrious Leader, writes:
My purpose in starting this uke-log of the meetings and activities of the Vancouver Ukulele Circle is to give those people who are unable to be at the a meetings a chance to get a flavour of what they missed. I can tell you now that not all the information will be entirely accurate. As I sit down to update this uke-log in the days after any given meeting I will be sure to have forgotten some key moments and one or two worthy performances and I hope that feelings won’t be hurt. I will do my best but if you notice any omissions or major inaccuracies please feel free to email them to Wendy Cutler so that corrections can be made.
Note from Wendy: Ralph has been keeping this blog since the very first meeting in September, 2000. The full set of previous years’ entries is available in the
Blog Archives. Starting in February, 2017, these postings are being made by Tom Saunders.
Vancouver Ukulele Circle Meeting – May 15, 2018
May’s uke circle marked our first session with a new, earlier start time of 7:00pm, (which was decided in March with a group hands-up poll.) Our first “early circle” had a smaller (umm, more intimate) crowd, but it’s hard to determine whether that was because some people weren’t able to arrive earlier, or if the no-shows were just groggy from the heat… I would be interested to know how many people find the half-hour-earlier time a deterrent to coming – nothing is set in stone, so we could always change back to a later start, if a further majority find it too much of a challenge to arrive for a 7:00pm start. But the indication last night was that people were enjoying the earlier start time.
On a different topic, one thing I reconfirmed from asking the crowd was that a majority of attendees DO like to review the songs on the set list that I send out a week before each uke circle. Therefore, I will continue to ask people who would like to get up and lead songs from our book to start sending me your leading requests in, starting NOW, and up until ten days before the next circle. That way, people can see your request in my week-before-email, and YOU will have a well-rehearsed roomful of strummers backing you up. Send your requests to me at email@example.com
Performance Time had a really nice, wide variety of performances. First up was a uke octet (that’s eight of ’em) led by Kathy, that did a very nice, full-sounding version of a Madeleine Peyroux tune, called “Don’t Wait Too Long.” Next up were Shannon and Ted, who performed an original song titled, “Graham’s Song” – Graham is a friend of theirs who suffered a major brain injury. He had forgotten much of his previous life, but found that learning the ukulele had helped him to express himself. Graham wrote a couple of the verses, and Ted and Shannon added a couple to the song’s poignant lyrics.
Next up, our group’s percussionist-extraordinaire, Jerry, performed Cat Stevens’ heartfelt, “Father and Son”, and was joined by Leone, who provided tasteful instrumental backing. Johnny then gave his unique take on Joni Mitchell’s “This Flight Tonight”, from her classic 1971 album, “Blue.” Candy took John Denver’s “Leaving on a Jet Plane” from our songbook, and raised the key to suit her range – something you may want to keep in mind for your own future Performance Time choice. Our dear friend Ed, who recently lost his wife, dedicated a song to her that gave her great pleasure – Simon and Garfunkel’s, “59th Street Bridge Song (Feelin’ Groovy)”, and he did a wonderful job honouring her with the song’s joyfully optimistic tone. Craig and Jennifer (with Jerry back on the drums) gave a rousing and raucous version of Peter Gabriel’s 1986 hit, “Big Time”, before Boaz finished the set off with a pleasingly mellow tone, on a song he dedicated to Ed – a version of a 1983 Ringo Starr tuned, titled, “Hopeless.”
All in all, it was a very nice assortment of tunes by a talented cast of players. My one big regret (that I didn’t discover until today) was that in the confusion of putting the Performance Time set together during the break, I had completely skipped over Edwin’s request, so I hope he will return next month to show us what we missed!
Our Two-Chord-Wonder Song was actually two songs, demonstrating a couple of feels for “rocking” an A and a Bm7 chord, using two very long-titled song’s – Doug and the Slugs’ “Who Knows How to Make Love Stay?” and Jackie Wilson’s, “(Your Love Keeps Lifting Me) Higher and Higher.” We’ll have to see how many of you remember: 1-2-3 – 1-2 Bananarama… (FYI – it’s also the timing of the sax solo in “Rock Around the Clock”…)
Big thanks to our Song Leaders – Ed, Candy, Jennifer, Carol, Craig and Boaz, and to the Rogue Folk crew for keeping us fed and sounding good. And to Jerry on drums and percussion – and also to Craig for filling in on the bass for the evening.
So please start sending me your Song Leading requests, (and your Performance Time requests, too…) and we will see you next month, at our “Here Comes the Summer” circle – starting at 7:00pm, June 19th.
Until then, thanks for coming out, and keep on strumming…
Vancouver Ukulele Circle Meeting – April 17, 2018
Dear April Strummers,
What a lovely night! Was it the sun, the warmth of the day? St. James was *full* last night, and there were still more people coming through the doors at 7:25 pm. It was a pleasure to be part of such a mass of singing and playing.
We met new people — from as near as Coquitlam and as far as Australia — and we now know what a ‘combie’ is! We had our youngest song requester — Lennon — who got the room to play Yellow Submarine at the end of the night. Craig invited him on stage with a look, but he politely shook his head.
Marvelously, it felt like we found new songs in the book. We were joined by Carol, Heather, Boaz, Corinne, Candy, and Erica; their enthusiasm helped lead the evening in new directions. We made it all the way through American Pie, which everyone seemed to know intimately. Boaz and Corinne led us through a virtuoso rendition of Nights in White Satin. These two both have advanced and intricate playing styles, and Corinne looked pretty cool, flourishing a white satin scarf and fringed jacket.
Up on the projector, Carol and Heather got us through Don’t Let the Stars Get in Your Eyes and Mamma Mia — I will have that little riff in my head for the next week. Boaz and Craig led Down Under (of the ‘fried out combie’), which, if you’re Australian, you’ll know is a VW van. Erica led us through Build Me Up, Buttercup. If there’s a song you like — especially if it isn’t done often, consider leading. You’ll be supported and it truly makes the night more interesting.
Craig and I started off performance time with Fever, written by Eddie Cooley and Otis Blackwell, and famously performed by Peggy Lee. Candy did a sweet and confident version of The Show, which has just about the best closing lines I’ve heard in a while. Next time you’re having a tricky day, you can go back and forth between “I want my money back!” and “just enjoy the show.” Next, Boaz helped Brenda on We Don’t Want Your Pipeline, written by Robin Williams and Bob Bossin, with an extra verse written by Brenda. Brava to Brenda for speaking up for water and Indigenous land rights.
Ming reminded us of the song that did so much to re-establish the uke: Somewhere Over the Rainbow/What a Wonderful World. A lilting, insistent tune. Carol and Heather performed convincingly on House of Gold by 21 Pilots, which they jokingly referred to as their millennial moment. Carol demonstrated the muted strum — an impressive but easy way to keep the beat. Their rhythm was strong, harmonies were solid, and Ron and Jerry joined in, helping build it throughout. Sold.
Ron’s song Gasoline — a parody of Abeline by Bob Gibson, Albert Stanton, Lester Brown and John D. Loudermilk, performed by George Hamilton IV — could be a protest song, but from a driver’s perspective. Written in 2008 in the height of the soaring U.S. gas prices, it laments the high cost of fuelling up, and feeling stranded and at a loss. Abbotsford Ken and his friend Glenn performed “Rock Out,” a song about love. “It got so complicated” — yep, been there. Glenn accompanied Ken with effortless style on fretless bass.
Eduardo not only survived his first Canadian winter, but has been teaching at Ruby’s Ukes. We’ve missed his deft and complex jazz renderings, and he did not disappoint, on James Hill’s arrangement of L.O.V.E., a Nat King Cole song from 1965 written by Bert Kaempfert, with lyrics by Milt Gabler. Boaz, we’ve decided, has missed his calling as a Broadway musical actor/performer. Never mind the complicated melody plus chords or the feats of memorization, he also disappears into character, this time as Tevye in “If I Were a Rich Man.” Always entertaining and effective. In all, a full night of performances, each one distinct and taking us somewhere.
Thanks go out to the people who came up to lead — Carol, Heather, Boaz, Corinne, Candy, and Erica — to ever-stalwart Ron on bass and Jerry on drums and train whistle, and to Rich and Peter for their expert handling of levels for, like, 500 different people. Do you want to come up and lead? Please do. Get in touch with Tom and he’ll set you up: firstname.lastname@example.org. Here he is with some business for next month:
Hello: Tom here. Just a few bits of info to pass along to you. First, if you were at the April meeting, you’ve already heard that starting next month (May) we will begin playing at 7:00pm, and end at 9:30. It’s only a half an hour earlier, but many people voted last month to turn back time, and so we will. I will remind you again as we get closer to the May meeting. And, if you’d like to lead a song from the book next month, I would like to remind you to send in your requests early to me email@example.com That will give me time to arrange a set list and include your book-song request in the week-before email next month. And finally, here’s a new element of Vanukes we’re introducing — at the end of the “week-before email” we will be including a section called “ETC, ETC, ETC…” It will be like a classified section for you to post uke-related items, such as “Uke for sale” or “Uke flash mob at English Bay on Thursdayafternoon” or “Uke lessons by Chris” or any number of other uke-related issues. Please don’t use it if you want to sell your car, even if you plan on using some of the money to buy a new uke. Send your submissions to me at firstname.lastname@example.org well in advance, so I can include it in the “week-before email.” Thanks for supporting the Vancouver Ukulele Circle – see you next month. Tom.
And thank you, faithful strummers for filling the hall with your songs and merriment and warm welcome for new people. Always a good time.
Until next time,
Jennifer & Craig
Vancouver Ukulele Circle Meeting – March 20, 2018
Well, what a fun night we had as Winter turned to Spring and we arrived in glorious sunlight again. One of the main things that impressed me was the wonderful variety of different song leaders we had guiding us through the evening’s song list, including Candy, Carol, Heather, Jennifer, Sylvia, Craig and Boaz. The “more the merrier” seems to work well with us and I’d still like to see even MORE people get up and try leading the group from our songbook. And the time to start thinking about leading is right now! If you have a song that you’d feel comfortable leading, send me an email at email@example.com and we can get it into the set list that gets sent out to everybody a week before each month’s meeting. I’ve had a number of people ask me on the night to lead a song that they saw in the “week-before email”, and I’ve felt bad having to decline their offer. My main reason is usually that someone else has already requested it, and I would hate to ask to take a song back from the original person who requested it (and who has possibly been working on it for the night.) So find something that is in a good key for you to sing that you can play all the way through from start to finish, That’s all you’ve got to do… And as always, remember that your song will be backed up by our house band, and assisted by a large room full of your favourite uke friends, singing and looking at their books and not at you!
I know that not everyone will want to lead songs, but I still want to make an appeal to anyone who has ever thought, “I could do that”, but has held back until now. As I said in the beginning, I think a larger group of people leading songs leads to a better collective experience for all of us!
IT’S ABOUT TIME… For many years, the Vancouver Ukulele Circle has run from 7:30 to 10pm. I did a hands-up poll of the room, asking if they would prefer to move the night ahead by a half hour, so that playing would run from 7 to 9:30pm. There was an overwhelming approval for that motion, so you should know by the time the “April week-before email” comes to you. It will depend on availability by the Rogue support crew. If that works out, we’ll be starting earlier.
I also asked for opinions on the recent format of putting Performance Time at the very end of the evening, instead of right after the break. Again, the majority seemed in favour of playing together as much as possible with the group, and then having the option of staying for Performance Time, or leaving if they wished or needed to. And when there’s enough time to squeeze one more group song in at the end, we’ve been singing that oldie but goody, “Goodnight Sweetheart..”
Very few people chose to leave early and stayed for a nice collection of Performance Time treats. Wendy and Anne started things off by singing “Easter Parade,” which turned out to be a promo for the upcoming Cherry Blossom Walk/Easter Parade on April 1st (the details of the event are at the bottom of this message.) Ming was up next with a song that I hadn’t heard in a while – 1970’s “Yellow River” by the British band, Christie, for which he received a standing ovation by the Vanukes crowd (a tradition for first-time Vanukes performers.) Next up, Johnny hoped that Frank Sinatra wouldn’t seek revenge for him covering Old Blue Eyes’ version of “I’m Gonna Live Till I Die” – he played it confidently enough that I don’t think he would! Bogdan played a strong, heartfelt version of John Lennon’s 1971 peace anthem, “Imagine.” After that, Candy (with assistance from Jennifer) presented a Cantonese/English version of Franki Valli’s “Can’t Take My Eyes Off You.” Craig then performed a fiftieth anniversary tribute to the Rolling Stones’ song of turbulent times, “Street Fighting Man,” and then Carol and Heather finished things up with a relatively recent song (for us!) 2010’s “The Cave” by London’s Mumford and Sons. They also provided song sheets for those not previously familiar with the song, and were rewarded with a roomful of backing strummers!
This month’s Two-Chord Wonder Song had many people surprised at the ease of using only a pair of relatively easy chords (Em and C) to play the Beatles’ groundbreaking, “Eleanor Rigby.” After recruiting an unsuspecting team of strummers (that knew how to play an Em chord) we broke new ground with an onstage team that felt confident to lead the room after only seven seconds of instruction. “Ahhhhh – look at all the ukey people!”
Thanks to all who help make the evening a fun, enjoyable event – The Rogue Folk Club for all they do, our fabulous house band, and all of the various song leaders and performers – and finally to the rest of you who come out every month to strum and sing and add the largest amount of links in the chain of the Vancouver Ukulele Circle. See you next month (with a possible earlier starting time…)
>>>Wendy Cutler has asked me to include this item:
“The April 1st Cherry Blossom Walk/Easter Parade has not yet really taken on the flavour of the la-di-da outing Wendy has imagined, but usually there is quite a crowd, some sporting Easter bonnets, and it always begins with the singing of Easter Parade, accompanied by ukuleles. Here is a relevant cartoon: http://www.gocomics.com/heartofthecity/2017/04/12. It’s really just a cherry walk that takes place on Easter Sunday, which is April 1 this year, and this year will start at Burrard Skytrain Station at 1:30, with the singing and strumming at 1:25. Wendy writes: “I’m not much of a singer, so I’m looking for willing singers, and also willing ukulele strummers. I have words and chords that I can send it anyone who will join me. No-one can really hear how you’re singing or playing – it’s the jolly appearance that matters.. Let me know if you’re willing to play. I’ll hand out words anyway for everyone to join in singing”. You can contact her via our Vanukes webpage at http://vanukes.ca/
Vancouver Ukulele Circle Meeting – February 20, 2018
We had a bit more of a smaller, intimate crowd last night, with some of my blame going to a Vancouver concert at the same time by that no-talent uke strummer, Jake Shimabukuro (just kidding – he can play “Singin’ in the Rain” with ALL the chords – even the F#dim…) We were also missing our regular percussion whiz, Jerry, but we were fortunate to have Wayne fill in for him behind the drums – until the tow truck showed up! In my week-before emails to you, I mention all of the free parking in the neighbourhood, but I think Wayne unfortunately parked a little too close to the corner and got nabbed. It just showed the good heart of our group that one of our members, Wendy, passed a hat around, and we were able to cover his ticket costs. Bravo, Vanukers!
As per my ongoing requests to you, we had a new song leader, Candy, step up to the mic to rock us along with “Brown Eyed Girl”, and a relatively new song leader, Carol, also help us out by leading the first uke song she ever learned to play, “White Sandy Beach” – always good to have new faces leading the book songs, in addition to Boaz, Jennifer and Craig confidently leading and backing performances.
Performance Time had a nice mix of interesting songs. Ron played a tribute to recently-deceased crooner Vic Damone, with “The Glory of Love.” And Ron was correct when he said that Vic turned down the wedding singer role in The Godfather – the role eventually went to Al Martino. Boaz and I sang “Oh Yoko”, in honour of Ms L’s 85th birthday. Ed sang and played a very beautiful ballad from the 80’s (the 1880’s, that is…) based on a poem by William Butler Yeats, called “Down by the Salley Gardens” – nice one, Ed! Both Johnny and Uncle Bob had “Ain’t” songs for us – Johnny sang Leonard Cohen’s “Ain’t No Cure for Love” and Uncle Bob swung Dean Martin’s “Ain’t That a Kick in the Head.” That still leaves “Ain’t Misbehavin’” and “Ain’t That a Shame” for next month! Carol and Heather performed a very fun Hawaiian tune that I was previously unfamiliar with, called “Toad Song”, by Keali’i Reichel. Its lyrics rolled along very quickly and had the room yelling out “Oom mama, oom mama, oom mama….” in the choruses. Yes, very fun! And finally, Candy finished off Performance Time with a sweet, bouncy number by Bruno Mars, called “Count on Me.” Overall, quite a nice, varied mix of tunes for a cold Vancouver evening!
Special thanks to Estha, who filled the role of scrolling down the Projector Songs for the benefit of the rest of us to play along. And a thank you to the Rogue Folk Club volunteers, who set up the hall and provide us with food and drink every month – Marnie, Steve, Morris and Terry – not to mention our great sound crew of Rich and Peter. Hats off to the whole Rogue’s gallery! Thanks to our Island boy, Ron, for trekking to the mainland with his uke bass, and a repeated thanks to Wayne for filling in on drums and percussion. His cheerful, last-minute participation towed our hearts away!
Next month, March’s uke night again falls on the 20th (three days after St Patrick’s Day.) Feel free to wear some green, but be prepared for a very low percentage of Irish songs – though I may try to find us something high-spirited and easy that we can shout the choruses of! Until then, thanks for coming out, and keep on strumming…
Vancouver Ukulele Circle Meeting – January 16, 2018
Tuesday night saw the Vancouver Ukulele Circle back in place at St James Hall, hopefully forever and ever, after last year’s needed renovations. The latest improvement is a brand new, sprung-floor which allows us to tap our toes in time to the music with much greater accuracy. And we did.
For song leading, we got by with a little help from our Ed, as he Ringo-ed his way through the call-and-responses of that old chestnut. Craig and Jennifer did a very solid, fun version of the 80’s-Canadian pop hit, “Echo Beach,” and several other toe-tappers (good thing we’ve got the new floor.) Corrine came up to add Carlos Santana’s instrumental licks to “Black Magic Woman”, and Boaz led the Band’s/Joan Baez’s hearty singalong of, “The Night They Drove Old Dixie Down.” Carol joined Jennifer for the singing of “Zombie”, as a tribute to recently-passed Dolores O’Riordan of the popular Irish group, the Cranberries. And we had a new song-leading recruit with Allison coming up to lead the group with “On Top of Spaghetti”, which leads us into the next section:
As you know, I encourage YOU to consider getting up to lead a song at an upcoming uke circle. If you’d like to, my main request from you is that you email me your song choice at least a “week-and-a-bit” before the next uke circle. The reason for me wanting that amount of notice (the “and a bit” part) is that I will then be able to add your request into the setlist of the email that I send out the week before the next meeting. Then, the people that like to rehearse the songs ahead of time can do so – and from the show of hands last night, a fair number of you do. Another reason is that if you don’t pass along your request to lead until the actual night, it might mean we’d have to cut out a song that people have already rehearsed. So please consider coming up, and getting your requests in early. Our band, Ron and Jerry, and I also know songs, and we won’t let you down!
Last night’s Performance-Time songs all seemed to me to fall on the sweet-and-mellow side, and that turned out to be a very good thing. Allison started things off nicely with Patsy Cline’s country music classic, “I Fall to Pieces.” Ed was next up to play something untypically Ed-like, as he masterfully picked his way through the beautiful instrumental, “Another Waltz” by Aaron Keim. Jerry (our house percussionist) got his uke on and sang a very sweet love song, written by Ed Sheeran, called “Little Things,” to which I added a melodica (it’s like a harmonica played with a tiny keyboard.) Johnny played a song in tribute to David Bowie – his wistful, 1999 tune, “Seven.” Boaz played the deceptively mellow, “If You Really Loved Me” by Tim Minchin, and finally, Candy finished off the set with a very sweet and lovely tune, “The Moon Song”, by Karen O, from the movie, “Her.” The song speaks of the bliss of being alone with her sweetheart on the moon, a million miles away. I had to restrain myself from breaking the mood and informing everyone that the moon is, in fact, only 384,402 km (238,856 miles) away.. There – I’ve said it…
For the Two-Chord-Wonder Song of the month, I tricked, cajoled and coerced at least a half-dozen people out of the crowd to come up and become the Plastic Ono Uke Band, as we used only C and G7th chords to belt out the anti-war anthem, “Give Peace a Chance.” As they filed off the stage, I noticed that they all had the same giddy smiles that people have when they finally get off the roller coaster. I hope they enjoyed their time up there and felt secure within the “safety in numbers.” PS – Getting back to leading songs and also Performance-Time, you might want to consider getting up there with a friend or two!
As always, thanks to the Rogue Folk Club – Steve and all the crew – Marnie for arranging the always delicious snicky-snacks & bevvies, and to Rich and Peter for running the sound system. And a final thank you to our uke volunteer (whose name woefully escapes me) who carried out a very important task for us, scrolling down the Projector Songs on the laptop, for the benefit of our playing. Thanks to everyone – it takes a uke village to keep this thing rolling!
Please feel free to contact me at firstname.lastname@example.org if you have any questions, comments, song-leading requests, Performance-Time sign-up requests, etc.
I’ve moved Performance-Time to the last portion of the night recently. It used to be right after the break, and then we finished off with “book” songs.. My thought for doing that was that some people who still wanted to play from the book after the break, didn’t wish to sit through Performance-Time, and were leaving at the break. So I swapped the two sections. Do you have any strong preferences, one way or the other? Think about it…
Next month, uke night falls on February 20th – a week after Valentine’s Day, so I’m guessing love songs could be a safe bet to expect. Until then, thanks for coming out, and keep on strumming!